In 1992, Ian Mackinnon & Peter Saunders
founded a company that has since been responsible for some of the
finest stop-motion puppets in the world.
Ian and Peter met in the 80’s whilst working at one of
Europe’s largest animation companies Cosgrove Hall Films
. Peter had previously worked as a puppet maker on Jim
Henson’s live action movie “The Dark Crystal
”. Subsequently he learned to adapt and miniaturise
animatronic techniques which enabled him to create highly
sophisticated stop motion puppets. Peter was then joined at
Cosgrove Hall by a young talent named Ian Mackinnon arriving fresh
from working with Gerry Anderson
. The partnership was born and whilst at the studios the
pair began to push forward the art of puppet making on productions
such as “The Wind in the Willows”, “Noddy”,
the British Academy Award winning “The Reluctant Dragon”
and the Emmy Award winning “The Fool of the World”.
The success of the duo’s creative developments brought them
to set up Mackinnon and Saunders
at the start of the nineties. In 1993, alongside puppet
making, Ian produced “The Sandman
” with colleagues Colin Batty and Paul Berry. This
beautifully dark short film gained great success on the
International Festival circuit culminating in a nomination for an Academy Award
. Their first contact with Tim Burton swiftly followed when, in
1995, he commissioned the company to design and construct all the
Martian character models for the movie “Mars Attacks!”.
Then in 1998 the team first collaborated with character
designer Carlos Grangel on another Oscar® nominated production “The PeriwigMaker”.
Short films aside, the quality and range of their stop-motion
puppet production was recognised in a major retrospective
exhibition of their work in 2000 which was shown across Europe and
Japan to massive acclaim.
Over the years Mackinnon & Saunders’
state-of-the-art workshops in the North of England have fast
become the “birthplace” of some of the best known
characters in the world of children’s television including
“Bob the Builder”, “Engie Benjy”
and “Koala Bros”.
With over 60 different television programmes, 70 commercials and
various feature length movies to their credit their client list
includes Warner Bros., HIT Entertainment, Nickelodeon, Cosgrove Hall Films,
Gerry Anderson, BBC, Will Vinton Studios, Aardman, Loose Moose,
Barry Purves
and Disney.
(And Sylvester Stallone
now owns the caricature puppet of himself which was created for
JWT New York’s Lipton Brisk Tea
commercials!)
The company won two Mobius Advertising Awards for commercials the
company produces for Procter & Gamble, Inc’s innovative “Puffs
” tissues campaign. They created two
extraordinary Harryhausen-inspired puppets for the 2005 comedy
feature film “League of Gentlemen’s Apocalypse
” (based on the hit BBC TV show) and of course they have
reaffirmed their relationship with Tim Burton
on “Corpse Bride
”.
Traditionally in stop motion features, facial expressions have been
animated by use of replacement heads or simple limited mechanics,
but it was here that “Corpse Bride”
broke new ground. The team at Mackinnon & Saunders
developed sophisticated geared mechanics to articulate the
puppets’ heads, enabling the animators to create a whole
range of facial expression with an hitherto unheard of subtlety.
Tim Burton said of their contribution to Corpse Bride
“They do such beautiful work. They really raised it to a new
level for this film. These puppets are so real, they are so
sensitive and textural, you really do believe they are
alive”.
Currently they are busy with the next chapter in the Mackinnon
& Saunders story with the development of their own 30 episode
TV series “Frankenstein’s Cat
”.